The 15 Photos Challenge

In which I abbreviate my photographic life…

The 15 Photos Challenge launched when I decided to clear out my storage unit and commit to abbreviating my life.  Not to shorten my life, as it were, but to trim the fat out of it.  The decision to make this bold move was partly a cost-cutting measure.  Call me Captain Obvious, but I’ll just make the point that it’s a good thing storage units aren’t free. 

Now, I’m  not a cost-cutter by nature.  My small storage unit housed sentimental stuff and I knew when I rented it that I was about to piss away a bunch of money simply because I couldn’t part with the past.  Sure, I used the unit to store my skis, snow tires, and other functional stuff.  I justified it that way.  But the real story behind the extravagance was the stories held in the ephemera of six decades.  The journals.  My son’s childhood artwork.  The detritus of passion projects long since abandoned.  And the piece de la resistance, my bulky collection of precious photo albums.

At first I had no idea what to do about the crates of big and small albums filled with photos primarily capturing my son’s childhood, 1986-2006.  My mother had given me a 35 mm camera when my son was born and I finally abandoned it when she gave me a digital camera two decades later.  I had kept nearly every photo ever taken, sometimes with duplicates.  I had thrown out anything blatantly worthless, such as the blank photos or the photos taken by mistake.  But I had kept plenty of photos that were poorly lit, poorly staged, blurry, repetitive, pointless, and otherwise unworthy of saving.  I was a photo hoarder, if I may use that term.  No shade on anyone with a serious hoarding habit.  

But I was ready to reform my ways.  I wanted a streamlined bundle of evidence that I had raised a child and fooled around with a 35 mm camera in between diaper changes, sports practices, homework help, and endless laundry.  The number 15 came to me as though channeled from some numerologist who dabbled in poetry.  The number fifteen in word form shares a phoneme with the word “photo” and that was enough for me.  I decided to select 15 photos for every year of my child’s life.  

Let me just admit from the start that I did not hold to this unit of time through the entire project.  Plenty of years turned out to have too many good photos to be limited to 15, so I shortened the unit of time to a half year in several instances.  I did this so that I wouldn’t get stuck.  This was a lengthy project and it would have been easy to abandon it if the going got too rough.  I wanted to enjoy myself as I sorted through the albums.  For this reason, I broke some rules.  But they were my own damn rules.  Making allowances for my hopeless sentimentality allowed me to bypass the sense of “stuckness” I occasionally wrestled with.

I stayed true to the number 15 though.  Here’s how it dictated my work flow.  I counted out 15 post-it notes and opened an album.  Side note:  I did not start at the beginning.  I started at the end.  Specifically, I started with an album from a trip to Asia.  It was more than a trip, actually, as I lived there for two years.  This was 2004-2006.  My workflow was to put a post-it on the photos that were most iconic of the trip.  The ones that stand out as avatars for a period in my life when I was exploring the world.  I’d leave the project aside and return to it with a few adjustments until I felt comfortable with my choices.  I then took the photos out of the album and scanned them on my Epson to my phone and then to my laptop.  I created a folder there to hold them.  I put the actual photographs in a manila folder and filed it in a plastic crate with pendaflex hanging files in the Old School fashion.  

Now the moment of truth had arrived.  Perhaps there are two kinds of people in this world.  One kind would have no problem disposing of the remaining photos in the album.  The other kind of person feels physically ill at the prospect.  You can no doubt guess what kind of a person I am.  Let me just assure you that I did not throw out any photos of my son.  That would have been a bridge too far.  My son had visited me during his college break.  He had stayed with me where I lived in Cambodia and had accompanied me to Vietnam .  I kept every photo of him.  But I dumped the rest of that album into a trash can in its entirety.  Like a boss.  I was a new woman.  

The years in Asia with all the side trips within the continent had been captured mostly in photos of curiosities and landscapes, but there were also photos of people I’d worked with and people I’d met along the way.  There were lots of photos of a dog named Tiger who traveled with me.  I saved 15 photos from the first album and abandoned the rest.  They are just gone now.  And that’s fine.  In fact, that’s good.  But I’m not going to tell you it was easy.  

I began this project of emptying old photo albums in the summer of 2025.  From the start, something I’ll call “nostalgia sickness” would strike often.  When it did, I would dip into the cold swimming pool to ease the discomfort.  If that didn’t break the spell, a trip to Dunkin for iced coffee with cold foam was in order.  Decluttering is not for the faint of heart, my friend.  

Another trick I used to power through the time-traveling experience was to lift a barbell loaded with enough weight to make me groan a little.  This worked as a distraction, much like the cold water or cold coffee would.  The next day, I’d be back at it.  There were a few times I cried when looking at pictures or putting them in the trash.  At least once it was an ugly cry.

Rest assured that it got easier.  It took a month or two to get to the point where I could scan photos without being sick with nostalgia.  “Don’t give up” is what I’m saying, I guess.

Next time, I’ll tell you about my work flow and how it evolved into something I could thoroughly enjoy.  You, too, can do this!

Cynthia’s Substack

[Photo] Essay

 Did Princess Di take pics of her fam?

Public domain photo of Diana and the star of Grease

The most photographed woman in the world, while she still lived and breathed, was Princess Diana.  If you were alive back in the 80’s and 90’s, you surely saw pictures of Diana and her children everywhere.  It occurred to me recently to wonder if Diana ever had her own camera.  Sure, it would seem redundant somehow for the most photographed woman in the world to have her own camera. But still. It matters who takes the photos and who fashions a collection of them.  I’m shuffling through a collection of my own and it’s a bit of a walk on the wild side.  I pondered whether Diana may have taken candid photos of her children.  Might she have even taken selfies with them?  Further, might the children have taken pictures of Diana, too?

Diana was known to have her own favorite photographer, Arthur Edwards, who took photos of her family to share out in the world.  We’ve all probably seen the photos.  They’re lovely.  But I’m more interested in photos she may have taken with her own camera, if she had one, in the privacy of her family life.  She must have had some modicum of a private family life, however infiltrated by household staff.  I’m curious about what her photo collection might actually have meant to her, if she did indeed have one.  

Why in bloody hell does this matter to ME, an American pleb? 

Lately I’ve been on a mission to cull through twenty years worth of my own photo collection beginning with the birth of my son in 1986 and ending when I finally acquired a digital camera in 2006.  I loved that 35 mm camera and loved the photos developed from film.  “Loved” isn’t strong enough a word to describe how I’ve felt about those photos over the course of nearly forty years.  

My son and I both have dozens of photos taken by professionals that are of superior quality to those we took ourselves.  But I look at them and toss them aside.  To be honest, I wouldn’t care if a flood came and took them away.  The pictures we took of ourselves, by contrast, are so near and dear to my heart that I have spent hours and hours scanning them, labeling them, and sorting them.  It’s truly a labor of love and I would not think to pay someone else to do it for me.  Touching the photos, handling them as they go in and out of photo albums and envelopes, all the fuss over the images of my dear son are near to what it was like holding my baby and later seeing him run around, splash in the water, climb a tree, step onto the school bus, and drive off in my car.

All this brings me back to Princess Diana.  Did she dare take her own photos?  Or did she worry they might fall into the wrong hands?  Might her sons have a collection of photos locked in a safe to keep them, well, safe?  We all know she did not survive the 1990’s.  Beyond the tragedy of a life cut short, there is the tragedy of missing out on the opportunity to look back at the unscripted moments in your life.  

You may say, “But her life is recorded ad infinitum!”  Doesn’t matter.  Other people’s pictures of your children aren’t the same.  You weren’t really “there.”  You weren’t the one focusing the lens.  You weren’t composing.  You were passively observing, if you were there at all.  

Every once in a while I come across a photo someone gave me of my son and it doesn’t hit the same.  The child in photos taken by others isn’t the same as the child whose candids I snapped myself.  I’m only beginning to decipher why this is.  My photo collection has taken on a life of its own, with stories of its own to tell.  How did this collection come to be?  

First of all, reaching for the camera back in those days was a ritual undertaken by mysterious forces.  It wasn’t like today when the iPhone is in our hands all day and we click, click, click every five minutes.  Back then, the camera came out sparingly.  Not every day, not every week, and not even every month.  When was the last time any of us went a month without taking a photo?  Think about it. 

If the camera only came out once in a while, what impulse determined whether I would reach for the camera case?  Everyone is different, but our 35 mm camera was mostly for fooling around.  Sure, we captured my son blowing out the candles on his birthday cake.  And we do have some group photos when family or friends posed together.  But those types of photos are nothing compared to the gobs of shots taken as “play.” We mugged for the camera.  Or we simply smiled our innocent smiles.  Often the photos show merely a plaintive gaze or an unconscious moment going about daily life.  

When I open my photo albums today, I’m often overwhelmed by a somewhat unholy wave of nostalgia. It doesn’t always feel good at first.  I’m struck by the gulf of time between then and now.  Though the gut punch of the first glance passes fairly soon, it leaves a bit of a mark.  Still, browsing the photos I’ve collected reminds me of the luck I’ve had in life.

Upon my first glance at my newborn son, a feeling overcame me that may be akin to the feeling of winning the lottery.  How had this gorgeous blob of “baby flesh containing a soul” come into my possession?  You read that right: This child was my possession.  Not that I didn’t consider him an awesome responsibility 99% of the time.  But I also felt like the keys to happiness had been born to me and me alone.  And boy did I feel lucky.  I felt that feeling over and over again, day after day after day.  

From the beginning, I wanted to record random precious moments to look back fondly upon later.  Weeks or months later.  And then years later.  And then decades later.  Every moment was precious, but I somehow restrained myself from snapping photos the way I do today with my grandchildren.  The film had to be developed after all.  Taking the camera out of its case was an act of participating in my own life in a certain special way.  I would look at him, appreciate his beauty, feel the luckiness of having him in my life, and want to hang on to the moment.

Going through my photo collection, I’m struck by the gaps of not only weeks but months in which I failed to take any photos.  Life interfered.  I suppose I just got busy and forgot.  We didn’t have the social media platforms to share photos with family and friends.  I didn’t see other peoples’ photos every day and remember that I could snap photos of my own to share back.  We were just living is all.

Similarly, I have barely any photos of my son and I doing things that, decades later, we routinely record on our cell phones.  For instance, people take lots of pictures in the car, in restaurants, on the ski slopes, even shopping.  I have only a couple of those from my son’s childhood.  The camera was at home in a canvas case, zipped up safe and sound.  Most of my photo collection consists of candid shots around the house or in the yard.  Weirdly, those are some of my favorites.  Did Diana take any like that?

Of course, I took plenty of pictures on vacations and to any trip involving a body of water, whether on a boat, on a riverside, on an island, or on the beach.  I brought the camera to friends’ houses and to birthday parties, naturally.  There are also lots of pictures of hikes on trails.  The camera case was always packed along with water and snacks.  Lots of mountain tops populate the photo albums.  Those were great days.  I’m not a princess, but I’d say I’ve lived a royal life.  

The paparazzi never hounded me.  My intimate moments were thankfully not splashed on the cover of tabloids.  If my luck holds out, my death won’t be recorded either.  I hope to go on in obscurity as a humble mom who loved her kid and snapped a bunch of shots of their simple life of love and silly smiles.  My son has his own kids now and I view their lives via my phone via the apps via the tech platforms that plague my existence even as I log on to catch the latest glimpses of their family life.  

It ain’t the same as my bloody crates of photo albums, though.  I wonder if Diana would agree.

Post script:

An astute reader of my Substack newsletter informed me that a documentary about Princess Di by the BBC answers my query. Diana’s son are shown looking through her photo album discussing their memories. A few photos are shared on screen.

Diana, Our Mother, Her Life and Legacy can be found on You Tube.

My Substack is currently titled my name, Cynthia Day. Later, that may change.

My handle is @15photos.